The Howling Fantods: Reading Infinte Jest

Just after the half way point in the Trans Mongolian Moscow to Beijing and just after 4000km mark I managed to complete David Foster Wallace’s Infinte Jest. It took me weeks to read. Made even longer by the long summer nights in the West Highlands keeping me away from my nightly reading routine, and the count down on the kindle. It was the first large book I read on the kindle, I had read “The Romanov’s” by Montefiore which google tells me is 736 pages, despite sometimes getting lost in the footnotes, it did follow a logical sequence and was okay. I felt lost in Infinite Jest, and recalled some research done by colleagues at the Open University (led by Anne Campbell) into e readers, which suggested that while learners appeared to find it easy to read, they also felt that “active learning”, for example preparing and evaluating discourses for an assignment, was much harder on these devices. So perhaps the sense of being lost in e ink when the reading materials demands more attention is not just my experience.

4002

Figure 1: The 4002km Mark Through the Dirty Window

It is a poor reader that blames the medium, so back to the book. The overlapping stories Centre round a tennis academy, a drug rehab house and a Quebec separatist group. When I say overlap, let’s be clear, it takes a while for them to intersect, and in the first parts of the book it is often by indirection, through following a deep description of what appears to be a minor character, a loose thread you think you are following away from the tight story ball, or at least it seems to, or at least you thought it was the story, but in the end it folds back in. There is an elegance to it, and according to the Guardian the author says it is based on the Sierpinski Gasket. 

It is a book that demands attention. So, even though it appears on those lists of very long books, being long is not the point, it does not lull like the prose in Remembrance of Times Past, or the even longer Dreams of a Red Chamber (which I am slowly reading on paper), it jars, it celebrates its complexity. It is not just the host of characters (see the infographic here) , it is also densely written, with shifts in pace, voice, vernacular and apparently style, which through its sheer length become it’s style. Through it you identify with different characters, Don and his story of redemption, Hal the prodigy (is he?), James the father film maker, Remy and his wife, and Joelle Madam Psychosis. Did I enjoy it. Is it a good book. I admit to points where I thought it over indulged, when I recalled an article about Raymond Carver where it suggested his terse style and brevity which drew comparisons with Chekov was his editor Gordon Lish, not his. If only Foster Wallace had such an editor. At other points it felt like the drug\drunk bits were overplayed, creeping into tourism  that for me seemed to date it – do you still read Eastern-Ellis, Bukowski, Kerouac, or Burroughs in your 40s.

However, other times it felt like some of the most finely crafted prose I had ever read. The characters richly drawn and viewed from multiple perspectives layering over each other, you felt their weight. This is one of the reasons for reading, to access other lives, not to live for a moment in those lives, but through those lives to think about your experiences, to spark your own hidden life. Did I enjoy it, well sometimes, I will admit I moaned to my partner about it, I am sure she was sick of it. Is it good, not sure, it is probably better to say it is a great book, as that just about accommodates the messy flawed magic.

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Author: roughbounds

Education Research, Participatory Design, Crofting, Voluntary Sector, what else ...

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